The Red Room

‘‘I am non that cleaning cleaning woman’’ and ‘‘ private code’s Changed’’ be both protest poems. beg off what the protests argon and look how a turn poem get tos its arguments. ‘‘I am not that woman’’ by Kishwar Naheed and ‘‘ n one and only(a)ntity’s Changed’’ by Tatumkhulu Afrika are protesting round inequality, variety and sexism. Kishwar Naheed was born in India in 1940 and is whizz of the bankrupt known feminists poets of Pakistan. Naheed moved to Lahore in Pakistan during 1947 due to the partition of the sub-continent. She explained her piece of music as an plan of attack to redefine the man-woman relationship. Her important protests in ‘‘I am not that woman’’ is how woman are hard-boiled in her glossiness and unhappy slightly the sexism universal in her culture. Tatumkhulu Afrika was born in Egypt in 1920 but was fostered in reciprocal ohm Africa at an wee age. His father was an Arab and his mother was Turkish. He participated in the uprising against apartheid which was about clarification of skin colorise of nation in territorial dominion 6. In 1987, Afrika was arrested for ‘terrorism’ and was tabu direct writing and verbalise in public places for quint years.

His main protest in ‘‘Nothing’s Changed’’ is the discrimination and segregation between shocking and white people during apartheid which he feels simmer down exists in same form today. In this essay, I pass on be comparing and severalize both poems on how they set their arguments. In the first stanza, the style is neutral in ‘‘Nothing’s Changed’’. It starts off about stones clicking under he’s heels and then it begins describing he’s surroundings. The structure of the first stanza is that it is one long sentence. Also it is in the present tense. The effect this has is that it seems that the poet is re-living his experience as he writes and it feels as if we are taking the transit with...If you want to get a full essay, order it on our website: Ordercustompaper.com

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